The Motley View
A Film, Art, Aesthetics, Critical and Cultural Theory Journal
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Archive for November, 2008
0
11.28.08
An Interview with Buster Keaton
2
11.26.08
Basic Film Techniques: The Extreme Close-Up
0
11.24.08
Back to Film…
0
11.13.08
The debt to…
0
11.12.08
Matteo Garrone Interview
0
11.10.08
Future Worlds Round-up
0
11.9.08
Basic Film Techniques Round-Up
1
11.6.08
Culture/Cultivate
4
11.4.08
If no one can tell two works of art apart, can there be an aesthetic difference between them?
Recent Posts
Analysing the Portrayal of Violence in Mad Max and Rashomon
Exploring Noir – The Representation of Family and Gender in Film Noir
Exploring Science Fiction: Hugh Ruppersberg’s ‘The Alien Messiah’
Michelangelo Antonioni’s Cannes Statement for L’Avventura (1960)
Brief Note on the Representation of Violent Individualism in Under Siege 2
An Exploration of Deleuze and Guattari’s Concept of the Rhizome
Journal Restructuring II
Journal Restructuring
Ed Guerrero on Guess Who’s Coming to Dinner? (1967)
Box Office Results
Motley View@Cambridge…
Exploring Noir – Chandler on Noir
Motley View@Manchester…
Russian Art: Vladimir Kozlinksy’s Then and Now
Motley View@Manchester…
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Authors
A.R. Duckworth
Vedette Bianciotti
Katie Wellbrook
A.R. Duckworth
Vedette Bianciotti
Katie Wellbrook