In A Bout de Souffle (1960) a brief cameo from the director Jean-Luc Godard highlights the constructed nature of the films narrative through the mental process of the director. Godard physically points out to the police Michel Poiccard’s location (the wanted protagonist). This direction is rather comically overt, highlighting the constructed and at times convulated systems that the director uses to progress a film’s narrative. Godard’s cameo is also important in relation to his position on the auteur theory. Godard is highlighting the explicate control the director has on the progress and resolution of a film’s construction; its tempo and final polished narrative.