Continuing a closer look at the auteur theory, this excerpt is of Ken Loach’s position on auterism.
I have enormous respect for writers and I don’t subscribe to the auteur theory of film-making. When I direct a film, I don’t try to be the author. It’s self-evident to me that a film is a collaboration, in which, if anyone is the most important contributor, it’s the writer. Still, what the writer has provided is only a stage in the process. What matters is that what is actually on the celluloid is a valuable experience and that there’s a sense of authenticity about what you’ve created. (1.)
1. Graham Fuller (ed.), Loach on Loach, London, Faber and Faber, 1998, p. 1.